The 10 Most Common Publicity Mistakes - Don't
Sabotage Your Success!
by Bill Stoller

Published on this site: April 7th, 2006 - See
more articles from this month

The number one rule of being successful in the world of publicity
(or in just about any other field, for that matter): Don't
sabotage your efforts with dumb - and easily correctable -
mistakes. Here then are the dumb things that publicity seekers
do. Avoid them, and you'll be well on your way to scoring
great coverage!
- Thinking Like an Advertiser
The more you remind a reporter that you're a commercial
entity seeking promotional exposure, the less chance you
have. Blatant ad copy,excessive use of trademark symbols,
overblown quotes, puffed-up claims and other techniques
better suited for advertising copy are sure ways to assure
that your release gets trashed. You must think like an objective
journalist and have a sense of perspective about who you
are and what you sell, and communicate that in your materials. If you just can't do
that, chances are you've been...
- Getting Too Close to Your Product
If you spend all day eating, breathing and sleeping packing
tape, it's easy to start believing that the slight change
you made in the thickness of your company's new packing
tape is an advance on par with the printing press and the
polio vaccine. Now, if you're planning on working with Packing
Tape Monthly, perhaps the editors of that fine publication
will agree. But the guys down at USA Today may hold a different
opinion. In deciding
- what's newsworthy and
- how to present this news to the media, it's vital
that you take many steps back and view your company
as a marginally interested outsider might. If you can't
do that, ask friends, family and other outsiders to
help.
- Getting too Close to a Journalist
I've worked with lots of reporters whose company I enjoyed.
I've shared meals and drinks with a bunch of them. One thing
I've never done, however, is forget who they are and what
their jobs are. If a reporter is interviewing you, whether
in person or on the phone, never say anything you wouldn't
want to appear in a story. Journalists have different interpretations
of what "off the record" means, and it's foolish
to try to test those limits. Carefully think about everything
you say, don't be pressured into commenting on things you
don't feel comfortable about, stay on message, don't gossip,
backbite or share secrets. In short, just as the journalist
has his or her job to do, so too do you. Stay smart.
- Obsessing Over the Big Hits
Maybe you really will get on Oprah. And maybe you'll
win the lottery and never have to work again. In either
case, it's probably a good idea to have some backup plan
in place in case you don't beat out the 10 million or so
other folks who harbor the same dreams.
It's fine to think big, but smart publicity seekers know
that time spent getting actual press coverage is a better
investment than chasing dreams. So go ahead and send that
press kit to Oprah but, in the meantime, work your butt
off to get placement in weekly papers, syndicates, e-zines,
local radio and other less glamorous places. Scores of successful
businesses have been built on such "small" publicity.
You don't need Oprah or Newsweek or The Today Show. You
need coverage - anywhere and anyway you can get it. Dreamers dream. Publicists get publicity.
- Reading from a Script
It's pretty annoying to pick up the phone at dinner
time only to have some guy reading a script about how great
vinyl siding is. Now imagine how a journalist, who's busy
working on deadline, feels about "publicists"
calling up to do the same thing again and again. If you're
planning to phone pitch a journalist, never read from a
script or repeat a rehearsed spiel. She's a human being,
so talk to her that way. (And always start your call with "Is this a good time to talk?". Never just launch
into your pitch.)
- Using Outdated Media Lists
News flash: Look magazine is out of business. So too are
about half of the new magazines launched in the past decade,
for that matter. Your media list is the lifeblood of your
publicity seeking efforts. Take the time to keep it fresh
and up to date, or you'll be wasting your time. Invest in
Bacon's media guide (www.bacons.com), visit websites of
publications that interest you, visit your local library or bookstore's magazine rack.
Do a little homework and you'll get a big edge.
- Not Understanding Timing
A non-savvy publicity seeker would ask, "Why do
a story about Christmas publicity in June?" A smart
publicity seeker understands completely. It's all in the
timing. If you're not thinking months ahead, then it's probably
too late. In early summer, you should be working on "back
to school" releases for newspapers and other short-leads (it's already too late
for long - lead magazines). Have something to offer for
Thanksgiving? Start planning now. Learn the lead times for
various publications, plan out a yearly schedule. Plan ahead.
Plan ahead. Plan ahead.
- Not Being Accessible
If a journalist wants to use your release, he may call
to get some more information, get some clarification or
even to see if you actually exist. If he gets voice-mail
(or a busy signal) and doesn't hear back from you, you've
probably blown it. On your releases and pitch letters, include
the most accessible phone number you have (your cell phone,
perhaps, if you're on the road a lot) and an e-mail address
you check throughout the day. If you miss a call from a journalist, or receive an e-mail,
get back to him immediately. Don't put it off - he could
be on deadline and have calls in to your competitors.
- Not Telling the Truth
There may be worse people to lie to than journalists - detectives,
IRS agents, the guy who's administering your lie detector
test - but not many. Think about it folks: these men and
women are trained to discover the truth. They know how to
do research and how to talk to others in your fields to
determine whether or not you're being truthful. So don't
take any chances. Don't even think about inflating your sales numbers, or
making up a story, or pitching something that's mostly BS.
Not only will they figure it out, your attempts to bamboozle
them may even make it into the press.
- Being Sloppy
Typos, bad printing, hideous press kit covers, poorly shot
photos, improperly formatted press releases...these are
the signs of an amateur. Amateurs don't get coverage. Before
you send out anything, proof it. Then proof it again. Then
give it to someone else to proof. Then proof it again.

Bill Stoller, the "Publicity Insider", has
spent two decades as one of America's top publicists. Now,
through
his website, eZine and subscription newsletter, Free Publicity:
The Newsletter for PR-Hungry Businesses http://www.PublicityInsider.com/freepub.asp
,he's sharing - for the very first time - his secrets of scoring
big publicity. For free articles, killer publicity tips and
much, much more, visit Bill's exclusive new site: http://www.publicityInsider.com


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