The 10 Most Common Publicity Mistakes - Don't
Sabotage Your Success!
by Bill Stoller

Published on this site: April 6th, 2006 - See
more articles from this month

The number one rule of being successful in the world of publicity
(or in just about any other field, for that matter): Don't
sabotage your efforts with dumb - and easily correctable -
mistakes. Here then are the dumb things that publicity seekers
do. Avoid them, and you'll be well on your way to scoring
great coverage!
- Thinking Like an Advertiser
The more you remind a reporter that you're a commercial
entity seeking promotional exposure, the less chance you
have. Blatant ad copy, excessive use of trademark symbols,
overblown quotes, puffed-up claims and other techniques
better suited for advertising copy are sure ways to assure
that your release gets trashed. You must think like an objective
journalist and have a sense of perspective about who you
are and what you sell, and communicate that in your materials.
If you just can't do that, chances are you've been...
- Getting too Close to Your Product
If you spend all day eating, breathing and sleeping packing
tape, it's easy to start believing that the slight change
you made in the thickness of your company's new packing
tape is an advance on par with the printing press and the
polio vaccine. Now, if you're planning on working with Packing
Tape Monthly, perhaps the editors of that fine publication
will agree. But the guys down at USA today may hold a different
opinion. In deciding
(a) what's newsworthy and
(b) how to present this news to the media, it's vital that
you take many steps back and view your company as a marginally
interested outsider might. If you can't do that, ask friends,
family and other outsiders to help.
- Getting too Close to a Journalist
I've worked with lots of reporters whose company I enjoyed.
I've shared meals and drinks with a bunch of them. One thing
I've never done, however, is forget who they are and what
their jobs are. If a reporter is interviewing you, whether
in person or on the phone, never say anything you wouldn't
want to appear in a story. Journalists have different interpretations
of what "off the record" means, and it's foolish
to try to test those limits. Carefully think about everything
you say, don't be pressured into commenting on things you
don't feel comfortable about, stay on message, don't gossip,
backbite or share secrets. In short, just as the journalist
has his or her job to do, so too do you. Stay smart.
- Obsessing Over the Big Hits
Maybe you really will get on Oprah. And maybe you'll win
the lottery and never have to work again. In either case,
it's probably a good idea to have some backup plan in place
in case you don't beat out the 10 million or so other folks
who harbor the same dreams.
It's fine to think big, but smart publicity seekers know
that time spent getting actual press coverage is a better
investment than chasing dreams. So go ahead and send that
press kit to Oprah but, in the meantime, work your butt
off to get placement in weekly papers, syndicates, e-zines,
local radio and other less glamorous places. Scores of successful
businesses have been built on such "small" publicity.
You don't need Oprah or Newsweek or The Today Show. You
need coverage - anywhere and anyway you can get it. Dreamers
dream. Publicists get publicity.
- Reading from a Script
It's pretty annoying to pick up the phone at dinner time
only to have some guy reading a script about how great vinyl
siding is. Now imagine how a journalist, who's busy working
on deadline, feels about "publicists" calling
up to do the same thing again and again. If you're planning
to phone pitch a journalist, never read from a script or
repeat a rehearsed spiel. She's a human being, so talk to
her that way. (And always start your call with "Is
this a good time to talk?". Never just launch into
your pitch.)
- Using Outdated Media Lists
News flash: Look magazine is out of business. So too are
about half of the new magazines launched in the past decade,
for that matter. Your media list is the lifeblood of your
publicity seeking efforts. Take the time to keep it fresh
and up to date, or you'll be wasting your time. Invest in
Bacon's media guide www.bacons.com, visit websites of publications that interest you, visit
your local library or bookstore's magazine rack. Do a little
homework and you'll get a big edge.
- Not Understanding Timing
A non-savvy publicity seeker would ask, "Why do a story
about Christmas publicity in June?" A smart publicity
seeker understands completely. It's all in the timing. If
you're not thinking months ahead, then it's probably too
late. In early summer, you should be working on "back
to school" releases for newspapers and other short-leads
(it's already too late for long- lead magazines). Have something
to offer for Thanksgiving? Start planning now. Learn the
lead times for various publications, plan out a yearly schedule.
Plan ahead. Plan ahead. Plan ahead.
- Not Being Accessible
If a journalist wants to use your release, he may call to
get some more information, get some clarification or even
to see if you actually exist. If he gets voice-mail (or
a busy signal) and doesn't hear back from you, you've probably
blown it. On your releases and pitch letters, include the
most accessible phone number you have (your cell phone,
perhaps, if you're on the road a lot) and an e-mail address
you check throughout the day. If you miss a call from a
journalist, or receive an e-mail, get back to him immediately.
Don't put it off - he could be on deadline and have calls
in to your competitors.
- Not Telling the Truth
There may be worse people to lie to than journalists - detectives,
IRS agents, the guy who's administering your lie detector
test - but not many. Think about it folks: these men and
women are trained to discover the truth. They know how to
do research and how to talk to others in your fields to
determine whether or not you're being truthful. So don't
take any chances. Don't even think about inflating your
sales numbers, or making up a story, or pitching something
that's mostly BS. Not only will they figure it out, your
attempts to bamboozle them may even make it into the press.
- Being Sloppy
Typos, bad printing, hideous press kit covers, poorly shot
photos, improperly formatted press releases...these are
the signs of an amateur. Amateurs don't get coverage. Before
you send out anything, proof it. Then proof it again. Then
give it to someone else to proof. Then proof it again.

Bill Stoller, the "Publicity Insider",
has spent two decades as one of America's top publicists.
Now, through his website, eZine and subscription newsletter,
Free Publicity: The Newsletter for PR-Hungry Businesses http://www.PublicityInsider.com/freepub.asp
,he's sharing - for the very first time - his secrets of scoringbig
publicity. For free articles, killer publicity tips and much, much more, visit Bill's exclusive new site: http://www.publicityInsider.com


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