Making Transitions
by Robert F. Abbott

Published
on this site: May 16th, 2004
Ever notice how smoothly some speakers or writers move you through
their speech or memo? It seems they effortlessly take you from start
to finish without making you strain to follow.
Yet, while the reading may be effortless, the writing probably
took some extra work and attention to detail. In fact, some writers
would say you should work as hard on the transitions between ideas
as you do on the ideas themselves.
Consider copywriting guru Joe Sugarman, who says the job of each
piece of copy, from the headline down, is to get you to read the
next paragraph. And the paragraph after that. And to keep on reading
them until you get to the 'offer,' where you're asked to order the
featured product.
To get readers from one paragraph to the next, or from one idea
to the next, we use transitions, words or phrases that 'pull' the
reader along, or in the case of speeches, pull the listener along.
For examples, take a look at the opening words to the second, third,
and fourth paragraphs above. The second paragraph opens with 'Yet,'
which implies that the idea you read in the first paragraph wasn't
complete. It should 'pull' you into the second paragraph. You'll
notice that the third and fourth paragraphs also aim to pull you
along.
Technically, good transitions make our writing or presentations
move along more smoothly. But, there are also several important
strategic reasons for using transitions. Let's review three of them
now.
First, and touching on an idea we explored above, transitions help
ensure that readers or listeners get the complete message. For readers,
in particular, it means they're less likely to stop after reading
the headline, subject line, or first paragraph.
Granted, you still need good content that compels to some degree.
But, whatever the content, your chances of getting the reader to
go all the way to the end of the document, or the 'offer,' increases
significantly with effective transitions.
Second, smooth transactions allow the reader or the person listening
to your speech to concentrate on the message, rather than its delivery.
You know from experience how hard it is to take in the message when
each new paragraph seems to abruptly introduce a new idea. It's
a bit like driving along a street and having to stop for red lights
at many successive intersections.
Third, and this relates to the second point, you'll become a stronger
writer if you use transitions. Not just because of the transitions,
but because their use forces you to manage the ideas in your document
or speech.
The process of starting each new paragraph with a transitional
word or phrase can't help but lead to you to link the idea in that
paragraph to the preceding paragraph.
That's true even when you make a major shift, because in that case
you'd use a transition signal of some kind. Remember "And now
for something completely different," made famous by Monty Python's
Flying Circus?
In summary (another transitional signal), transitions from one
paragraph to another, or from one idea to another, make our communication
more effective.

Robert F. Abbott writes and publishes Abbott's Communication
Letter. Each week subscribers receive, at no charge, a new communication
tip that helps them lead or manage more effectively. Click here
for more information:
http://www.CommunicationNewsletter.com.

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